Lithics Collections at Manchester Museum

Manchester Museum on Oxford Road

Manchester Museum has a very large and varied collection of prehistoric lithics collection, including hundred-thousand-year-old Palaeolithic hand-axes from southern England, Mesolithic microliths from the Pennines around Manchester,  neolithic rough-outs from so-called ‘axe-factories‘ in Great Langdale in Cumbria and Craig Llwyd in Wales, Bronze Age stone mauls or mining tools from Alderley Edge in Cheshire, more recent material collected from indigenous peoples in the Americas, and Australia, and stone tools, flint flakes and other objects of all periods from the UK, Europe and other countries around the world.

Danish flint dagger with carefully flaked handle

The richness of the Museum’s lithics collection is due to the first curator, William Boyd Dawkins (1837-1929). Though primarily a geologist, Dawkins was an expert on the identification of prehistoric animal remains and wrote what was regarded at the time as the text-book about cave archaeology called Cave Hunting (1876). Dawkins is perhaps best known for work at Creswell Crags, conducted, at least initially, with Revd Magens Mello and Thomas Heath. Star finds include Neanderthal stone choppers and a beautiful Font Robert point dating from around 29,000 BC.The Museum has a very important archive of finds, photographs and other documentation relating both to these Victorian excavations and to later work undertaken by A.Leslie Armstrong (1878-1958).

Work at Creswell Crags

Dawkins’ successor at the Museum was J.Wilfrid Jackson (1880-1978). Like Dawkins, Jackson had wide-ranging interests, excavated prehistoric sites and published important regional summaries of lithic discoveries. As a result of the collecting activities of Dawkins and Jackson, the Museum’s archaeology collection contains large quantities of flint and other stone implements, not to mention prehistoric metal, pottery, bone and antler objects. They built up collections of stone objects, including fakes, as reference material and for teaching purposes. One individual by the name of Edward Simpson alias ‘Flint Jack’, ‘Bones’ or ‘Fossil Willy’ was notorious for selling his dodgy flint artefacts to gullible collectors and museum curators, served time in prison and ended his days demonstrating flint-knapping for  gentlemanly antiquarian societies.

Flint Jack’s ‘Flint Jacks’ – forgeries of early Bronze Age barbed-and-tanged arrowheads

Many of these objects are displayed in the Museum’s Ancient Worlds galleries, where, thanks to the range of disciplines represented in the collection it has been possible to show axes with ornate binding and rafia sleeves for comparison from New Guinea and Borneo – where the Stone Age finished as recently and precisely as 10am on 8th March 1933 – from the Living Cultures collection.

Stone axe with interwoven rafia wrapping from Bourneo/New Guinea

The intellectual focus of the Museum displays shifted in the latter part of the 20th century in favour of the Classical world but research on the lithics collection continued. For instance, many of the Museum’s stone axeheads were sampled petrologically during the 1970s and 1980s and the results published in Stone Axe Studies; researchers such as the late Roger Jacobi (1947-2009) carried out detailed work on the Creswell Crags archive, even identifying joins between fragments of the same implement in different museums; and an important landscape study of Alderley Edge was undertaken by Prof John Prag of Manchester Museum. The Museum also subscribed to excavations in the Middle East and received a proportional share of finds including lithic artefacts from sites such as Abu Hureyra in Syria, Jericho on the West Bank, and from the excavations at Mount Carmel in Northern Israel directed by Dorothy Garrod (1892-1968).

With the redevelopment of the new Ancient Worlds archaeology galleries, more of the Museum’s historically important lithic collections was put on show. The recent updating of the National Curriculum so that it includes the Stone Age offers another opportunity to work with teachers and school groups to interpret this material for the younger generation. Meanwhile new digital technology and augmented reality are providing more stimulating ways of engaging with the artefacts.

We will be having a special activity day about flint knapping at the Museum on Wednesday 18th November if you want to see how it’s done and maybe have a go yourself.

 

Some Reading

W.Boyd Dawkins (1876) Cave Hunting: researches on the evidence of caves respecting the early inhabitants of Europe (London, Macmillan and Co.).

J.W.Jackson (1936) ‘The Prehistoric Archaeology of Lancashire and Cheshire’, Transactions of the Lancashire and Cheshire Antiquarian Society 50 (1936), 65-106.

J.W.Jackson (1936) ‘Contributions to the Archaeology of the Manchester Region’, The North Western Naturalist 11, 110-119.

T.H.McK Clough and W.A. Cummins (1988) Stone Axe Studies II Research Report no.67, Council for British Archaeology, 218-221.

 

 

 

Caught Knapping

Preparation for a knap-in

Manchester Museum is holding a knap-in on 19th November and on Friday Dr Elizabeth Healy and a PhD student Ray Nilson came to talk to Anna Bunney, Curator of Public Programmes, and me about the arrangements and to see some examples of worked flint artefacts. At the event, which is limited to 65 participants and ticketed (£10, or £8 concessions)  visitors will be able to watch enthusiasts striking or knapping raw materials and making a range of implements. There will be opportunities for people to try this for themselves under supervision of course. There is a real interest amongst visitors to the Museum in discovering how people in the past made things, some of them of considerable quality and demonstrating breath-taking crafts working skills.

Debate about one of the stone implements

I got out a selection of some of the wonderful flint and other stone objects in the lithics store at the Museum. A fine ground and polished early Bronze Age stone axe-hammer (below) is a wonderful exhibit although sadly we know little about where it was found. It was transferred to Manchester by  Salford Museum some years ago and I live in hope that some day information about the circumstances of discovery will turn up in an antiquarian publication…This kind of material was the focus of research and collecting at Manchester Museum during the later 19th and early 20th centuries when William Boyd Dawkins was Curator. From the 1970s the focus shifted to Classical antiquities but now prehistory in back in fashion, not least because of changes to the National Curriculum.

Anna with early Bronze Age axe-hammer

One of the added benefits is asking the flint-knappers who are coming to the event on 19th November to make copies of stone tools that were used on Easter Island or Rapa Nui. Manchester Museum will show material from the island in a temporary  exhibition opening in early April next year. Exhibits will include a stone statue called moai Hava that was brought back to Britain by HMS Topaze in 1868 and presented to the British Museum, and a range of artefacts borrowed from a number of other museums in the UK. We’re working closely with Prof Colin Richards of the Department of Archaeology at the University who has been conducting fieldwork on Easter Island. We will recreate for the exhibition part of the quarry at Puna Pau where Prof Richards has been excavating with his team. This was where islanders carved pukao or topknots that sat on top of some of the statues or moai.

We will dress the reconstruction of the quarry in the Museum with replica tools made by the flint-knappers for greater authenticity. Large numbers of stone implements or toki have been found in the quarry where the statues were obtained as if the work was suddenly interrupted and the islanders downed tools. It is not clear whether the islanders ceased to honour the statues after ‘first contact’ with Europeans or whether the notorious ‘blackbirding’ raids to secure labourers for Chile compelled the workers to drop their tools and flee or whether discarding the stone implements tools was part of the islanders’ belief system in relation to work on the statues.  It’s a very exciting project and it’s nice to know that the knap-in is contributing to the exhibition.

East African Sword Sheds Light on Danish Prehistory

Mr Shuck’s mystery sword

Amazing what turns up at the Museum. Yesterday I received a telephone call from Mr Tony Shuck asking if we could identify an old sword that belonged to his late father. He did not know how his father came by the sword but he remembered that at one point his father had chased an intruder across the garden waving the sword and wearing only his underpants! Tony did not know where the sword came from and wanted to find out more.

From Tony’s description I gathered that the sword wasn’t very old in archaeological terms because it still had its leather scabbard and its bound leather handle with pommel. I don’t claim any expertise with this sort of material but I know a man who does, or who, at the very least, knows about matters military: Michael Whitworth.

Michael is Head of Commercial Operations at the Museum and he kindly agreed to meet me and Mr Shuck in reception this morning. We went up to a meeting room to see the sword. Michael identified the sword as probably Sudanese and mid-later 19th century or early 20th century in date. He suspected it had picked up as a souvenir from a battlefield in East Africa.

There were a number of campaigns in Victorian times in this part of the world against the Dervishes. Gordon of Khartoum is perhaps one of the most well-known casualties of these wars.  This was all very well and good and I was pleased we’d been able to help Tony with his enquiry. But then it occurred to me that this was rather helpful in shedding light on one of the objects in our Ancient Worlds displays. In our third gallery we are going to show lots of objects and explain why we have so many examples of things like lamps and glass vessels and so on.

One of the display cases shows objects that copy other things, sometimes in a rather surprising way. We are going to show some Danish prehistoric flint tools. One of them has been flaked or shaped in such a way that it imitates the stitching you might find on a leather handle. I realised when I saw Tony’s sword hilt that this was very similar to what the Danish flint workers must have been trying to copy about 4000 years ago, as you can see from the photographs. It’s really useful to have the photograph of the East African sword for comparison and Tony’s happy for us to use this in a download of additional information about the objects that visitors can look at on a mobile device.

Stitched leather handle of Sudanese sword

Danish flint dagger (Museum no.28466) – note the zig-zag effect on the right hand side intended to give the same effect as stitched leather

I am really grateful to Tony and his partner Holly for bringing the sword in to show us today and to Michael for kindly giving up his time to identify it.